This site-specific performance, presented in the underpass of Noborito Station, explores transformation, memory, and the continuous cycle of creation and decay. At its core is the repurposing of costumes previously worn in past performances—garments once imbued with specific meaning, now dismantled and reimagined.

Over the course of the piece, nine dancers interact with these deconstructed costumes, stretching, knotting, and weaving them into new forms. As the fabric shifts in shape and function, so too does its symbolic weight—what was once finished becomes raw material once again. The act of reshaping these clothes mirrors the physical environment of the performance itself: the underpass, an urban space currently undergoing renovation, is in its own state of transformation.